To mark the 20th edition of Jardins, Jardin, Ateliers Philippe Coudray is pleased to invite you to join us in the heart of the magnificent Villa Windsor park (Bois de Boulogne) from May 28 to 31, 2026.We are delighted to combine our expertise as upholsterers and interior decorators with the magic of landscape art, and we look forward to welcoming you to celebrate the art of living and outdoor design. We look forward to seeing you there!

DE LA RACINE À LA MATIÈRE
Jardins Jardin – 2026 edition
du 27 au 31 mai 2026

 

Window Treatments

Creation of 2 window treatments, each comprising: an Art Deco-style valance featuring embroidered raffia flowers that match the printed hemp fabric, a pair of lined curtains with fabric-matching trim on the panels and two large hanging tiebacks, and a battery-powered Lutron Palladium motorized blind with a printed fabric that echoes the valance’s pattern.

Kakemonos

Production of 8 kakemonos made of printed hemp canvas, hung with an embroidered raffia patch in the center of each kakemono.

Acknowledgments

Design and production: Ateliers Philippe Coudray
Fabric supplier: Thorp of London
Trim supplier: Passementier Verrier
Embroidery: Atelier Safrane Cortambert 
Blind supplier: Lutron
Wooden portico construction: Ateliers Courtois

 

photo credit: @levraimonde.media

At the crossroads of heritage and contemporary design, “Le Confident”, inspired by Empress Eugénie’s armchair, was presented at the 2026 Venice Biennale of Contemporary Art — “Bel Ouvrage – Il Corpo della Materia”.

BEL OUVRAGE VENICE 2026

May 4–July 20, 2026

 

The new strategic event for collectible design during the Art Biennale. Founded by curator Carole de Bona, Bel Ouvrage has established itself as an international curatorial platform where collectible design, contemporary art, and exceptional craftsmanship come together in heritage venues of rare significance. Bel Ouvrage presents Il Corpo della Materia in the historic cloister of the Madonna dell’Orto in Venice, in conjunction with the Art Biennale, a period during which the city attracts collectors, institutions, and influencers from around the world.

Conceived as an environment of influence, the exhibition brings together a select group of contributors invited to present major works, chosen for their uniqueness and striking presence.

More than just an exhibition, Bel Ouvrage serves as a platform for positioning and development, fostering pivotal encounters, acquisitions, and new commissions.

About Bel Ouvrage

 

An independent organization specializing in the design and production of exhibitions dedicated to collectible design and exceptional craftsmanship, Bel Ouvrage organizes comprehensively designed events to complement major international events and trade fairs.

Acknowledgments

Our heartfelt thanks to our embroidery partner, ATELIER SAFRANE CORTAMBERT, without whom this project would never have come to fruition.

And, of course, to all the teams at Ateliers Philippe Coudray, who brought this chair to life just as beautifully as we had imagined it.

Trim cords: PASSEMENTERIES DE L’ILE DE FRANCE

Fabric painting: Cécile GAUNEAU & Anna LUCCHINI, ornamental painters

3D Designer: Gaultier BIGOT Studio

Fabric: NOBILIS éditeur

Sycamore and beech wood frame: Luis LOUROT & Laurent ROCA

 

A special shout-out to Eric CHARLES-DONATIEN, feather artist and designer, with whom we dreamed up this event

photo credit: @levraimonde.media

A DREAM IS BORN

Decorex has been an opportunity for Philippe to give his tribute to his first love, upholstery. It was like an urge to create a piece that shows the collaboration, the synergy of passionate artisans, he gathered. And that’s how the story began…

Empress Eugénie (1826-1920)
Large painted wood armchair with scrolled back, the armrests with sphinx figures resting on a belt decorated with foliage scrolls and flowers and saber feet terminated at the front by sabots, with an engraved metal plate inscribed: «Ce fauteuil se trouvait dans le boudoir de l’impératrice Eugénie à bord du yacht impérial «Aigle».

Donné par M.Paolo Burdese ministre plénipotentiaire à Marcel Piccioni». From the Second Empire period (worn and missing, probably originally partially gilded). Paolo Burdese, said to have acquired it at the sale of the Imperial yacht’s furniture, then donated it. Marcel Piccioni and descendants Launched in 1859 the boat “l’Aigle”, which made several trips to the Mediterranean and was used by Empress Eugenie to inaugurate the Suez Canal in 1869.

As supplier to the Emperor, the yacht’s furnishings were designed by Alexandre Georges Fourdinois (1799-1871), the only known example of which is a set of furniture in lemon and amaranth fillet from the Emperor’s cabin (Musée du Château de Compiègne).
The plaque affixed to this seat refers to a gift from Paolo Burdese, Italian consul in Toulon, to Marcel Piccioni (1891-1980), diplomat and embassy attaché in Rome from 1934 to 1938.

Once upon a time, three masters artisans dreamt about a collaboration to unite their skills.

In the same time, there was an auction where the incredible Emperess Eugenie’s chair was sold lost among others but Philippe Coudray rescued it from the oblivion.

That chair was a gift to the emperess for her boudoir in the Aigle, the boat which inaugurated the Suez Canal in 1863.

As a serendipity, there was the exhibition « Louvre Couture » held in Paris about the link between creations and their historical inspirations in art ; among which, the mi-century armor and Balenciaga 3D armor dress was the most striking.

Over a brainstorming came the idea of what would order the Emperess Eugenie today to master artisans for her Aigle boudoir ?

As an answer to this question, was born the idea of the flying swinging confident in the continuity with Napoleon III style. It is a piece where past and present meet above the waves.

The making off

Acknowledgements

Our heartfelt thanks to our embroidery partner ATELIER SAFRANE CORTAMBERT Without whom this project would never have seen the light of day

And, of course, to all the ATELIERS PHILIPPE COUDRAYs team who brought this seat to life, just as wonderfully as we had imagined it

Trim cables: PASSEMENTERIES DE L’ILE DE FRANCE

Fabric painting: Cécile GAUNEAU & Anna LUCCHINI, ornamental painters

3D designer: Gaultier BIGOT Studio

Fabric: NOBILIS editor

Sycamore and beech structure: Luis LOUROT & Laurent ROCA

 

A special thanks to Eric CHARLES-DONATIEN artist and feather designer with whom we dreamed up this event

photo copyright: @levraimonde.media

Get your tickets for Decorex 2025

The French architect Pierre-Yves Rochon has designed an installation that affirms the importance of time and experience in an idea of the interior inspired by tradition, but reinterpreting it through a contemporary sensibility. The goal is to enhance the legacy of the past and project it into the future. Villa Héritage is a space in which design becomes a shared and timeless language, capable of creating a dialogue between all the arts and prompting people to reflect on the idea of transmission. Elegant and evocative, Villa Héritage redefines the concept of interior design, transforming it into a bridge that connects memory and innovation and where luxury is not just aesthetics, but a multisensory experience made up of harmony, culture and timeless overtones.

Photos Credits: @Philippe Garcia

Publication in AD magazine of the Gent armchair Made in our workshops for Aline Asmar from Amman.

The UK’s Celebration of Interior Design DECOREX opens its doors from the 6th to the 9th of October 2024 at Olympia Events in London, welcoming the industry for four days of sourcing, networking, and discovery.
Get your DECOREX 2024 tickets here
 

The Bvlgari Hotel Roma has been named Best Hotel in the World 2024 by the luxury travel association Virtuoso Traveler. It is the jewel of the collection, a monument to Bvlgari elegance, service and expertise in the heart of the Eternal City, the birthplace of Bvlgari.

The 1PlaceVendome hotel won the prestigious ‘International Hotel & Property Award’ at the International Design & Architecture Awards 2024 in the ‘Hotel with less than 50 rooms’ category.

In the illustrious setting of the Maison Chopard, at 1 Place Vendôme, a captivating transformation has taken place, orchestrated by the interior architecture firm Pierre-Yves Rochon PYR Design. This legendary mansion, built between 1718 and 1723, has undergone a meticulous facelift that preserves its authenticity and historical significance, making it one of the capital’s most sought-after luxury destinations.

Pierre-Yves Rochon’s global reputation shines through as the company breathes new life into this iconic structure, transcending conventional hotel standards. Rather than simply offering accommodation, this private residence by Chopard is a testament to meticulous design that enhances the overall guest experience. It presents itself as a captivating journey through different eras and styles, immersing visitors in the rich history of Louis-Ulysse Chopard, the founder of the House of Chopard, with the overriding objective of restoring the mansion to its golden age.

L’approche distinctive de PYR préconise la fusion des styles dans les espaces publics et les chambres privées, créant ainsi un mélange homogène qui fait écho à la grandeur du passé. L’hôtel particulier se présente comme une maison bourgeoise, avec une entrée qui rend hommage à l’architecture du XVIIIe siècle, avec des cabochons de marbre noir, des murs en pierre naturelle et une cheminée monumentale. Le réaménagement de PYR introduit un hall à la fois grandiose et accueillant sur deux niveaux, orné de rampes en fer forgé, qui invite les visiteurs à explorer les différents étages et à découvrir l’opulence qui se cache dans chaque détail.

PYR’s distinctive approach calls for a fusion of styles in public spaces and private rooms, creating a seamless blend that echoes the grandeur of the past. The mansion is presented as a bourgeois house, with an entrance that pays homage to 18th-century architecture, with black marble cabochons, natural stone walls and a monumental fireplace. PYR’s refurbishment introduces a grand and welcoming two-storey lobby, adorned with wrought-iron railings, which invites visitors to explore the various floors and discover the opulence hidden in every detail.

Architect : Pascale Le Corre

Interior Designer : Pierre-Yves Rochon (PYR Design)

Hotel Group : Chopard Company

Photography : Gregory Copitet